Credits, from top to bottom: Miss Prattle, Consulting Doctor Double Fee about her Pantheon Head Dress, hand-coloured mezzotint published by Carington Bowles in 1771; The Flower Garden, hand-coloured etched engraving published by M Darly in 1777; La Françoise à Londres (The French Lady in London), 1771 anonymous print after Samuel H Grimm; Chloe's Cushion, or, The Cork Rump, print made by M Darly in 1777; Le Stratageme Amoureux, ou la Toilette à la Mode (The Lovers' Strategy or Fashionable Grooming), anonymous 1770s etching; Fruit Stall, etching published by Matthew Darly in London in 1777; Quadrille — Evening Fashions — Dedicated to the Heads of the Nation, 1827 print by William Heath and published by Thomas McLean; Docking the Macaroni, a 1773 hand-coloured mezzotint published by Carington Bowles; The Macaroni, mezzotint by Philip Dawe; printed for John Bowles in 1773.
Credits, from top to bottom: Miss Prattle, Consulting Doctor Double Fee about her Pantheon Head Dress, hand-coloured mezzotint published by Carington Bowles in 1771; The Flower Garden, hand-coloured etched engraving published by M Darly in 1777; La Françoise à Londres (The French Lady in London), 1771 anonymous print after Samuel H Grimm; Chloe's Cushion, or, The Cork Rump, print made by M Darly in 1777; Le Stratageme Amoureux, ou la Toilette à la Mode (The Lovers' Strategy or Fashionable Grooming), anonymous 1770s etching; Fruit Stall, etching published by Matthew Darly in London in 1777; Quadrille — Evening Fashions — Dedicated to the Heads of the Nation, 1827 print by William Heath and published by Thomas McLean; Docking the Macaroni, a 1773 hand-coloured mezzotint published by Carington Bowles; The Macaroni, mezzotint by Philip Dawe; printed for John Bowles in 1773.